7.29.2009

Doug Beasley : Zen and the Art of Photography

“A camera is an extension of ourselves, an appendage to bring us closer to the universe. This is Zen in the Art of Photography. In discovering the universe, we discover ourselves.” -Robert Leverant

This weekend’s workshop was with Doug Beasley, founder of Vision Quest Photo Workshops. He has been leading these workshops since 1992 – ranging in length and location. Doug’s work focuses on the sacred nature of every person, place, and thing. His book, Japan: A Nisei’s First Encounter, documents his first journey to Japan, his mother’s homeland. He is planning a second trip in the fall where he will be able to spend 3 weeks traveling the country.

Doug is based in St. Paul, Minnesota, but also has a cabin in north Wisconsin. Clearly because he’s from the Midwest he is a really great person to be around =) From the moment he came into CPW he seemed very comfortable, calm, and friendly.

We began the workshop with introductions and a short morning meditation. Being completely new to any sort of meditation, those 7 minutes felt like much longer. The rest of the morning was spent doing a variety of written and photographic exercises. He encouraged us to try to photograph and think out of our element. One exercise asked us to work on developing a personal connection to the subject. Here are my results of two of them:



(I walked past these little berries the other day and noticed that they are now all sort of reds, purples, blues, and greens! I’ll have to photograph them again soon…)

I came across Larry, a CPW Staff Member, connecting with a crack in the driveway next to CPW. I think he is crouched down in 90% of my photos from this weekend! Behind him is my fellow intern, Nikki…connecting with…the street sign?


After this we were instructed to go out and break our photographic habits. Doug gave us many suggestions, but the one that stuck with me was to “not take it so seriously, just have fun.” I tend to really think about most of the images I take. Coincidentally at this point, Nikki and I ran into Larry, who suggested a new way of ‘shooting from the hip.’ Instead of keeping our cameras at the same spot, we set them on auto and shot (somewhat) aimlessly at different angles and perspectives while walking from CPW down to the flea market. Here are a few of my favorite shots in succession:



(ok, this one wasn’t so aimless)


“To live a creative life, we must lose out fear of being wrong.”
-Joseph Chilton Pierce

We then were able to revert to our more comfortable ways. We were supposed to spend a lot of time with the subject until we felt like we could photograph it to its fullest extent. Here is my shot:


After lunch we headed to Overlook Mountain and the KTD Monastery. We walked down to the Dharma Path trailhead where we began a very slow, deliberate, walking meditation down to the pond at the bottom.


The path was lined with strings of prayer flags anchored to trees. I’m not entirely sure the meaning of them or their placement, but they were really interesting.



We then gathered near the pond and learned about light and shadow. Clearly, this part of the day was really stressful…

(nikki photographing in the foreground, my boss, liz, managing the participants)

The next morning, we did an exercise where we went from a broad picture and slowly eliminated elements. I photographed a number of different scenes, but was most interested in the outcome of this one. I was surprised at how different they all are just because I moved closer.



(I think my subconscious is trying to remind me how much I miss biking in the city…)

In the afternoon we went to the Zen Mountain Monastery in Mount Tremper. After lots of instruction and history about meditation, we had a longer zazen – which means “facing the wall” - meditation session (though I think it was really only 15 minutes, apparently that’s a lot when you’re a beginner!). Instead of truly meditating I found myself thinking…a lot. You are actually supposed to clear your mind of thought, but it was much more beneficial for me to spend that time slowing down and clearly thinking through one thought at a time. It was really nice to have time to stop and be still. I was surprised that my generally million-track mind was able to focus steadily on just one thing for 10 minutes.

After meditation, we took a tour around the monastery grounds. I wish I could better remember what each image is of, but I really only remember vague descriptions. Here are some images from the cemetery:




(our guide telling us stories about the history of the monastery…)

One story I remember was about these little statue collections. They are placed all over the property. Our guide told us that a woman who came to visit was a healer and dealt with women who had abortions. These collections represent a sort of closure for those women.


The history of the land is really interesting. He told us how it was previously a Christian monastery, a children’s camp, and a communist camp. One of the remnants of the children’s camp is a swimming pool, now overflowing with trees and greenery.


And to maintain my cycle theme of this post…
Monks ride, too!


Doug gave us a lot of great handouts full of quotes and suggested readings. One of my favorite pieces was his “rules of photography.” Two of my favorites:
#18 - Don’t worry about the equipment you don’t have.
#22 - Editing is a virtue. With 3 choices, remove the weakest one. With two pick the strongest.”

#18 leads me to another quote that he gave us. I suppose I appreciate it because I only have a few years of experience in photography, therefore, my equipment isn’t very advanced. It was nice to have the idea reinforced by an artist I respect – its not about the equipment, its about the thoughts and images...

“When I started photography, I had very little equipment and made horrible photographs. Over the next ten years I bought all kinds of new equipment with very little improvement in my photographs. When I finally learned how to see, I got rid of most of my equipment and my images improved dramatically.”
-Brooks Jensen

It was an amazing weekend and a nice workshop to have in the middle of the season. Everyone (interns included) was able to really relax with a great instructor and remember why we enjoy photography.

7.24.2009

Lothar Osterburg : Photogravure

Our first multi-day workshop of the summer was with Lothar Osterburg, a master printer and fascinating artist. I highly recommend looking at his website, his pieces are really lovely. Lothar works with memories and cloudy ideas. In order to depict these things the way they are seen in his mind, he utilizes miniature models and recreates scenes. He often uses found materials from the street or everyday objects, like toothpicks. Lothar also teaches at Bard College and has been exhibited around the world.


I had tried photogravure once in college using a polymer. Lothar's method is much more involved, using multiple baths and needing a lot more precision in timing. The CPW catalog describes the method perfectly:

"Photogravure is a continuous tone photographic etching process which produces a quality and tonality range that exceeds those of a regular silver print by far. The blacks in particular have a richer, non-reflective, velvety surface, what a silver print never could achieve. These tonalities
are achieved by etching a copper plate gradually from the deepest shadows to the brightest highlights. This way the photogravure is capable of producing a much wider range of tones than any other photographic or printmaking process. The finished plate is printed like an etching on a heavy rag paper."

The first two days were spent at CPW doing the technical work and learning about photogravure. After getting some background on Lothar, hearing about his working method and looking at a lot of test prints, we began prepping the plates. The student's cleaned plexi, sensitized a lot of paper, and printed out digital negatives.


Then it was back outside to learn more about timing and levels of the 6 etching baths.




Lothar has an incredible energy about him, which kept the students interested even though it was a lot of information to process.

The next three days were spent at Women's Studio Workshop in Rosendale, NY.


Using their facilities, the students were able to prepare their plates, learn about inks and printing technique, and aquatint.



Finally, each participant was able to print their plate to paper. The students each walked away with at least one test print of each plate. They all seemed to have had a lot of fun over the 5 days and were excited about the possibilities that the medium held for their work. Having had a little bit of experience with photogravure before the workshop, I knew how complicated the process can be. Lothar was a really amazing teacher, he was able to explain an incredibly complicated process in a matter of days.

7.11.2009

Tanya Marcuse : The Body (part 2)

Here are a bunch of the images I took when Nikki and I finally got time to shoot the models...we only had about 45 minutes...30 with the guys and 15 with the girls. It was really exciting to have images to work on that really felt like my own art, not just documentation of the workshops! I tried to really narrow down to those that best showed what we did and those that I like the most...I don't want to overwhelm you all!

Here are some images that I tried to shoot in accordance with the workshop, examining the body. It was definitely outside of my norm and different from the way I'm used to looking at things (I think?):








A lot of the images that we looked at as historical examples and inspiration seemed to focus on muscles, bone structure, and the details of the body that could easily be overlooked. The rest of these are more like what I was used to shooting...

One of our models was Paul; a regular CPW model and yogi (someone who practices yoga). He was incredibly willing to do whatever the students asked...whether that meant climbing up in to branches or suspending himself between two trunks. He was also really interested in seeing the photos each student took, so he (along with Erica) came to our critique on Sunday.




I'm not sure which one I prefer...black & white or color? paul in focus or the envelope in focus?

Miss Nikki in action...



Paul wanted to show us his crazy yoga skills...he was able to hold this pose as long as we needed.

The model here with Paul is Nick. We didn't get any individual time with him, but at the end of our time with Paul, the student shooting Nick asked if we would mind doing a few of them together.



After the day of shooting was 'technically' over, Nikki and I got a quick 15 minutes to shoot the very gracious Amanda and Erica. We began one-on-one and then with both...


(again, b&w or color?)



When it comes to editing, I'm generally pretty liberal - for some reason I can't decide which I like more between this one above & the one below...